Melissa Ford
Melissa Ford
Union Memberships
Basic Info
Weight: 130 lbs.
Special Skills: Axe Throwing, Balloon Art, Wiggle Ears, Cycling, Ping Pong, Gamer (Console), Improvisation, Licensed Driver, Medical Equip., Modeling, Singer, Teleprompter, Vocal Range: Mezzo Soprano, Vocal Style: Belt, Vocal Style: Legit, Voiceover, American – New England Accent, American – Standard/General Accent, British – BBC English Accent, Irish Accent.
Television |
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Evil Lives Here |
Guest Star |
Investigation Discovery |
Film (Partial) |
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I Need You Back |
Lead |
Dir. Sirui Qian |
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Trust Me |
Lead |
Dir. Colum Higgins |
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Sunshine |
Lead |
Dir. Cheryl Shi |
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The Wayward Institute |
Lead |
Dir. Gianna Curreri |
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The Call |
Lead |
Dir. Aidan Hayre |
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War of the Roses |
Supporting |
Dir. Omari Levers |
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Time, Love, Choice |
Supporting |
Dir. Yu-Ting Chang |
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Human#19 |
Supporting |
Dir. Arun Alexander Singh |
New Media |
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Never Divorce the Billionaire Wife |
Day Player |
FlareFlow / Dir. Thang Ho |
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From XL to Extra Love |
Day Player |
Stardust TV / Dir. Jenny He |
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Baby Chef Is Not Someone To Mess With |
Day Player |
Dramabox / Dir. Ana Moutinho |
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The Top Heiress Won’t Be Your Wife |
Day Player |
FlareFlow / Dir. Miao Ning |
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My Fiancé’s Uncle |
Day Player |
DramaWave / Dir. Kadi Tsang |
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Love Me Again, My Hidden Lover |
Day Player |
FlareFlow / Dir. Louise Hang |
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Mothering My Husband's Bastard |
Day Player |
FlareFlow / Dir. Jackie Xing |
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Payback of the Awakening Heiress |
Day Player |
FlareFlow / Dir. Daisy Zheng |
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Return of My Superhero Mom |
Day Player |
FlareFlow / Dir. Jackie Xing |
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Reborn Lady CEO |
Day Player |
FlareFlow / Dir. Ying Xiao |
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The Awakening of the Heiress |
Day Player |
FlareFlow / Dir. Xiao Han |
New York Theatre (Partial) |
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The Big Dream (Off-Broadway) |
Supporting |
Harry De Jur Playhouse |
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I Hate Shakespeare |
Supporting |
The Producers Club, W.44th |
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Full Circle |
Lead |
Manhattan Repertory Theatre |
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The Hysterical History of the Trojan War |
Lead |
Times Square Arts Center |
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Sometimes it Snows in April |
Lead |
Manhattan Repertory Theatre |
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Naughty |
Lead |
Times Square Arts Center |
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Confirmed |
Supporting |
Latea Theater |
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The Spyglass Seven, A Tale of Edgar Allen Poe |
Supporting |
Rochester Fringe Festival |
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The Ugly Duckling |
Supporting |
St. Jean's Players |
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Bad Jews |
Supporting |
Armonk Players |
Regional Theatre |
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Grease |
Lead |
The Company Theatre |
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The Laramie Project |
Supporting |
The Company Theatre |
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Annie |
Supporting |
The Company Theatre |
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The Wedding Singer |
Ensemble |
The Company Theatre |
COMMERCIAL – Conflicts Available Upon Request |
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Training |
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B.F.A. Musical Theatre |
Elaine Petricoff, Ray Virta, Jason Chaet |
The New School / AMDA (NYC) |
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Scene Study Workshop |
Larry Moss |
Larry Moss Studio |
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Comedy Intensive, Technique Clinic, and Ongoing (Current) |
Lesly Kahn |
Lesly Kahn & Company |
Script Analysis |
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Improvisation Levels 1-3 |
Rick Andrews, Louis Kornfeld |
The Magnet Theater NYC |
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Scene Study |
Karl Bury |
Karl Bury Studio |
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Professional Scene Study |
Scott Freeman |
The Freeman Studio |
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On Camera Lab (1-year) & Developing the Role for TV/Film |
Jamie Carroll |
Jamie Carroll Studio |
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On Camera |
Janine Ditullio, Kelly Kimball |
Kimball Studio |
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Monologue Workshop |
Karen Kohlhaas |
The Art and the Audition |
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Musical Theatre & Pop/Rock Performance |
Sheri Sanders |
NYU Steinhardt |
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On Camera Acting Technique |
Greg Sims |
PATH for the Actor |
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Voiceover |
Kelly McGee |
Kelly McGee Studio |
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Firearm Handling and Tactical Weapons |
Charles Haskins |
Guns 4 Reel |